geek

Courtesy of MIT and its OpenCourseWare website, here’s a selection from their Electrical Engineering and Computer Science courses: “A Gentle Introduction to Programming Using Python”.

This course will provide a gentle introduction to programming using Python™ for highly motivated students with little or no prior experience in programming computers. The course will focus on planning and organizing programs, as well as the grammar of the Python programming language. Lectures will be interactive featuring in-class exercises with lots of support from the course staff.

Will Wright: Toys that make worlds on TED.com

Arky over at Playing With Sid posted a few months ago on “Reading RSS/XML feeds in Elinks Line Browser”, which he does by running raggle in server mode, inside a screen session. Then he directs Elinks at that via http://localhost:2222 (the default Raggle web UI port). Clever idea — I expect you could do that over SSH and have Raggle running centrally on a server you could access from wherever.

It’s always weird to see the mainstream press picking up on a subculture. Kind of like when your parents drop the latest slang: it doesn’t quite feel right. Nevertheless, it’s nice to see Steampunk get some respectful publicity.

The LA Times blog Jacket Copy had a post Saturday from Nick Owchar, the inevitably titled “Working up a head of steam”.

Steampunk is another entry point into the Victorian era by way of a wormhole: a subculture movement that is the result of an “intersection of technology and romance,” as it was reported in some East Coast newspaper this week. Philip Pullman’s alternate version of the world—with zeppelins, golden compasses and anbaric-powered gadgets—in “His Dark Materials” taps into it; so do the stories of Jules Verne and the movie “Brazil”; William Gibson and Bruce Sterling’s “The Difference Engine” anticipated it.[…]

According to Owchar, there’s a new Steampunk anthology from Tachyon that looks interesting.

The “some East Coast newspaper” referred to is the NY Times and its more sedately titled article “Steampunk Moves Between 2 Worlds”, which does more tracing of how Steampunk has been embraced by various groups for various purposes, but all in good, artistically spiffy fun:

It is also the vision of steampunk, a subculture that is the aesthetic expression of a time-traveling fantasy world, one that embraces music, film, design and now fashion, all inspired by the extravagantly inventive age of dirigibles and steam locomotives, brass diving bells and jar-shaped protosubmarines. First appearing in the late 1980s and early ’90s, steampunk has picked up momentum in recent months, making a transition from what used to be mainly a literary taste to a Web-propagated way of life.

To some, “steampunk” is a catchall term, a concept in search of a visual identity. “To me, it’s essentially the intersection of technology and romance,” said Jake von Slatt, a designer in Boston and the proprietor of the Steampunk Workshop (steampunkworkshop.com), where he exhibits such curiosities as a computer furnished with a brass-frame monitor and vintage typewriter keys.